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HAMMÂMÎZÂDE İSMAİL DEDE EFENDİ’NİN SABÂ MEVLEVÎ ÂYİNİNDEKİ MAKAM GEÇKİLERİNİN İNCELENMESİ VE KANUN İCRASINA YÖNELİK ETÜT OLUŞTURULMASİ, 103-118
INVESTIGATION OF THE MAQAM’S TRANSITION IN HAMMÂMÎZÎDE İSMAIL DEDE EFENDI'S SABÂ MEVLEVI RITUAL AND CREATION OF A ETUDE FOR THE EXECUTION OF THE QANUN
http://dx.doi.org/10.29228/ASOS.78407
Kibele KIVILCIM ÇİFTÇİ -Efe SIRBİCA
Abstract
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GELENEKSEL TÜRK MÜZİĞİNDE NOTA YAZIMINDA KULLANILAN MÜZİKAL İFADELER: CİNUÇEN TANRIKORUR ÖRNEĞİ̇, 245-260
MUSICAL EXPRESSIONS USED IN WRITING MUSICAL NOTATION IN TRADITIONAL TURKISH MUSIC: CİNUÇEN TANRIKORUR CASE
http://dx.doi.org/10.29228/ASOS.36754
Kibele KIVILCIM ÇİFTÇİ
Abstract
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