This research aims to give information about the methods used by baglama recording and mixing experts in professional audio recording studios. Thus, both students and instructors in the field of music technologies and amateurs interested in this field is considered to be important in terms of providing literature support. For this purpose, through semi-structured interview form, in different provinces of Turkey and the opinions of 20 tonmaister/sound engineers working in professional studios were taken. Content analysis was conducted to the opinions obtained. Thus, similar data were gathered within the framework of the groups and the findings were reached. It has been concluded that they prefer large diaphragm condenser microphones, they position the baglama handle and chest at the junction, do not apply a specific equalizer technique, prefer the most optical (opto) compressor type, and mostly reverb and delay during the mixing process.
Audio Recording Studio, Baglama, Mixing Methods, Music Technologies, Recording Methods