Author : Ufuk UĞUR
Number of pages : 87-107


From the discovery of cinema to the present, it has emerged as a commercial vehicle and a capitalist practice that offers entertainment to the masses. The acceptance of the cinema as an art form has been achieved through the transfer or interpretation of the outside world, thanks to its fictional quality and effective expression. Considering the process and narrative structures that the cinema has undergone until today, the postmodern period determines the contemporary art approach, especially after the classical and modern period. Thanks to its mixed structure, today's postmodern cinema is a structure that unites and blends all branches of art in itself. Cinema, which shapes its distinctive narrative language with the reflective, which is taken from arts such as painting and photography, with the fictional storytelling it takes over from the theater, is an influential popular art that can process and enrich these features and intensify in daily life. Technically, he uses almost all art disciplines while creating a cinema narrative language based on the principle of recording photographic images on a film strip and reflecting them on the screen. Today's postmodern understanding of art is also built on the relationships of different art disciplines with each other. It is seen that the concept of intertextuality has been adopted as the reading method of texts in the postmodern period art understanding. In the field of cinema, which forms the backbone of this study, different studies include citing, copying, sending to each other, etc. transactions are evaluated in the context of intertextuality. Due to the increase in intense relations among art disciplines, it seems inevitable to use inter-textual approach, which is a special form of it, other than the concept of intertextuality. In this study, emulation, reflection, etc. between pictures and movies in the art universe. Inter-indicator definition will be used to express shopping transactions. The concept of inter-indicator is used to express the shopping processes of an art discipline established with other art disciplines. When the concept is adapted to cinema, the shopping transactions of cinema with other art disciplines (cinema-literature, cinema-photography, cinema-painting, etc.) are evaluated within the context of inter-indicator.


Cinema, Postmodernism, Intertextuality, Inter-Significance


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