MALE SCULPTORS IN THE MOLDING OF ELIZA DOOLITTLE IN BERNARD SHAW’S PYGMALION BERNARD SHAW’IN PYGMALION ADLI ESERİNDE ELIZA DOOLITTLE’I ŞEKİLLENDİREN ERKEK HEYKELTIRAŞLAR
In his play, Pygmalion, Bernard Shaw explores the very facts about the constructive and destructive sides of male power and dominancy over the re-creation of a female. The title of the play calls for an understanding of Ovid’s mythological story and its subliminal messages which also provide a basis for Shaw’s play. In Ovid’s story, Pygmalion, a male sculptor, is granted the power to create a female paragon out of an ivory statue. As a woman hater, Pygmalion’s creation embodies all the traits of a male perspective that echoes itself in the making of a creature embellished with the choices of a male taste. Similarly, in Shaw’s Pygmalion, Eliza is molded with the teachings of her male creator’s profession, which is phonetics. However, unlike a lifeless statue, Eliza needs to improve some other skills in order to exist in a social class she is not born into. In this juncture, this paper aims at defining the roles of male characters in Eliza’s transformation.
Keywords
Bernard Shaw, Pygmalion, Eliza Doolittle, Henry Higgins
@article{2014,title={MALE SCULPTORS IN THE MOLDING OF ELIZA DOOLITTLE IN BERNARD SHAW’S PYGMALION},abstractNode={In his play, Pygmalion, Bernard Shaw explores the very facts about the constructive and destructive sides of male power and dominancy over the re-creation of a female. The title of the play calls for an understanding of Ovid’s mythological story and its subliminal messages which also provide a basis for Shaw’s play. In Ovid’s story, Pygmalion, a male sculptor, is granted the power to create a female paragon out of an ivory statue. As a woman hater, Pygmalion’s creation embodies all the traits of a male perspective that echoes itself in the making of a creature embellished with the choices of a male taste. Similarly, in Shaw’s Pygmalion, Eliza is molded with the teachings of her male creator’s profession, which is phonetics. However, unlike a lifeless statue, Eliza needs to improve some other skills in order to exist in a social class she is not born into. In this juncture, this paper aims at defining the roles of male characters in Eliza’s transformation.},author={Devrim VAROL},year={2014},journal={The Journal of Academic Social Science}}
Devrim VAROL . 2014 . MALE SCULPTORS IN THE MOLDING OF ELIZA DOOLITTLE IN BERNARD SHAW’S PYGMALION . The Journal of Academic Social Science.DOI:10.16992/ASOS.161
Devrim VAROL.(2014).MALE SCULPTORS IN THE MOLDING OF ELIZA DOOLITTLE IN BERNARD SHAW’S PYGMALION.The Journal of Academic Social Science
Devrim VAROL,"MALE SCULPTORS IN THE MOLDING OF ELIZA DOOLITTLE IN BERNARD SHAW’S PYGMALION" , The Journal of Academic Social Science (2014)
Devrim VAROL . 2014 . MALE SCULPTORS IN THE MOLDING OF ELIZA DOOLITTLE IN BERNARD SHAW’S PYGMALION . The Journal of Academic Social Science . 2014. DOI:10.16992/ASOS.161
Devrim VAROL .MALE SCULPTORS IN THE MOLDING OF ELIZA DOOLITTLE IN BERNARD SHAW’S PYGMALION. The Journal of Academic Social Science (2014)
Devrim VAROL .MALE SCULPTORS IN THE MOLDING OF ELIZA DOOLITTLE IN BERNARD SHAW’S PYGMALION. The Journal of Academic Social Science (2014)
Format:
Devrim VAROL. (2014) .MALE SCULPTORS IN THE MOLDING OF ELIZA DOOLITTLE IN BERNARD SHAW’S PYGMALION The Journal of Academic Social Science
Devrim VAROL . MALE SCULPTORS IN THE MOLDING OF ELIZA DOOLITTLE IN BERNARD SHAW’S PYGMALION . The Journal of Academic Social Science . 2014 doi:10.16992/ASOS.161
Devrim VAROL."MALE SCULPTORS IN THE MOLDING OF ELIZA DOOLITTLE IN BERNARD SHAW’S PYGMALION",The Journal of Academic Social Science(2014)