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SUÇ VE ŞİDDET OLGUSUNUN TÜRK TELEVİZYON KANALLARI ANA HABER BÜLTENLERİNDE GÖRÜNÜRLÜĞÜ̇, 202-215
VISIBILITY OF THE CRIME AND VIOLENCE FACT ON MAIN NEWS BULLETINS OF TURKISH TELEVISION CHANNELS
http://dx.doi.org/10.16992/ASOS.14451
Nilgün BENLİ
Abstract
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TÜRK TELEVİZYON DİZİLERİNDE DRAMATİK YAPININ İNŞASINDA KULLANILAN CAZİBE MERKEZİ MOTİFLER ve İZLENME ORANLARİ, 152-186
ATTRACTION CENTER MOTIFS USED IN CONSTRUCTING DRAM STRUCTURE IN TURKISH TV SERIES AND THEIR RATINGS
http://dx.doi.org/10.16992/ASOS.14070
Nilgün BENLİ
Abstract
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BELGESEL FİLMLERİN GERÇEĞİ ARAŞTIRMA-SORUŞTURMA ÇABASI: LAURA POITRAS’IN 11 EYLÜL ÜÇLEMESİ; MY COUNTRY MY COUNTRY, THE OATH ve CITIZENFOUṘ, 132-154
DOCUMENTARY MOVIES' EFFORT OF SEARCHING-INVESTIGATING OF TRUTH: LAURA POITRAS' 11ST OF SEPTEMBER TRILOGY MY COUNTRY MY COUNTRY, THE OATH AND CITIZENFOUR
http://dx.doi.org/10.16992/ASOS.12755
Nilgün BENLİ
Abstract
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