YARATMANIN ÖZGÜN DEĞER DEĞİŞİMİ OLARAK BİLGİNİN DÖNÜŞÜMÜ: ÖZGÜR YARATMA MİMARİSİ OLARAK KIYAMET: BİR İHANET FORMU VE PROBLEM KAYNAĞI OLARAK AKADEMİK YAYINLARA KARŞI YAPILANLAMALAR: YARATMASIZ MEDENİYET [DÜNYA] MODELLERİ
Author :
Abstract
Ayasofya minimalizminde tarihle Milliennium’un ikinci yüzyılını örtüştüren özgün 5. Yüzyıl mimarisi Yaratıcı ile buluşma hedef odak noktalı özgün yapım, tarihi yazan, yapan ve yaratan elin yaratmada biçimlendirilen özgün mimarisi gerçekleyim Yaratıcı odaklayım iki seçenekli yaratmanın sonsuz ve ötesi özgünlüğünün özgür mimarisi olarak biçimlendirilen yaratmasal bütünleşik özgün bir düzen yürütücüsü olarak yaratılan kutsal üçleme için başlangıç odak noktası Kâbe bir Yaratıcı özgün değer mimarisi yaratma sürecinin son açılımları olarak yaratılmaktadır. İnsanın mimarı yaratmada kendisini gösterendir. Yaratıcı için özgün bağ oluşumunun dikeyleşmesi bağ bozum ve oluşum mimarisi olarak yaratma etki değer sistemli Boğaziçi üçgen mimarisi etken bir yaratıcısıyla yaratmaya bağlı özgün değer edinimli varlık bilim etkin değeri Yaratıcısı için milimist sistemler sürecinde yaratılan etki oluşumu olarak insan insanlık mimarisi süreçlendirmesidir. İki seçenekli varlık bilim alaşımının kıyamet mimarisi içinde insan bir bilgi varlık mimarisi süreçselinin yaratıcı cennet ve cehennem mimarisi için sonsuzu ayıran ve ötesini yaratan mimari olarak düzen getiren insanı yaratan yaratma iradesinin özgürlüğünden özgür irade için yaratılan özgün değer bilgi varlığı olarak anlamın tamamlanmasıdır.
Keywords
Abstract
By being creation architectural the three in One exactitude consist of three time existence the coindicence of the Creator’s existence time, the creation existence time of form, the creature’s existence time the infinity evolver binary divided existence time on creation. The creation form of architectural system the Earth formative freedom different aesthetics is the architecture of World humanitarian of death and live determined the perception of the true One’s architectural of the history maker and Creator power. The original belief architectural create the soliditary history form peculiar to Hagia Sophia Architectural as the original history form reason for transformation and change three basic terminology of main historical and current amalgamic the World academy of occurrence sciences in the process of the original life science. According to Imge’s Ecole form in the civilizer term of original publication systems determined the river form of transformation architectural in the creative architectural create the historical is situated time of dead architectural. The book’s creation philosopy of architectural amalgamic sciences base on universal particular human physic of universal solibility of humanity architectural the unique architectural the storm form and peculiar to humanitarian structures of international amalgam physics. By being the bridge architectural for Creator and human meeting the existence arena of coincidence is the new history philosophy the mean architectural in the Earth. The different architecture of World humanitarian the tree intercivilizer explosion term of architectural assay meanemer aesthetic of the capital form of architectural. According to the vertical transformation architectural of triplet the book the information the text create by being the existence science the arena of civilizer militer the processing of World law architectural form in the Katip Çelebi form of humanitarian occurences of one pozitive factoral. The World architectural humanity of milimer systems materialize in existence domains Istanbul amalgamic intermilitizer Boğaziçi structures as the history creation of phylosophy. Peculiar to the human form aesthetic texts of science and information read by creator architectural being the milliennium’s first non-creator world of bertrayal architectural according to modern creation pyhisics of the original quintette time architectural the Creator power of architecture.
Keywords
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