İRAN SİNEMASININ ANLATI KODLARI: DİN, SANSÜR, ŞİİR ve BELİRSİZLİK̇, 41-70
THE NARRATIVE CODES OF IRANIAN CINEMA; RELIGION, CEN-SOR, POETRY AND AMBIGUITY
http://dx.doi.org/10.16992/ASOS.14295
Mustafa SÖZEN
İRAN SİNEMASI ve DOĞU ANLATI GELENEKLERİ PERSPEKTİFİ̇, 16-38
İRANİAN CINEMA AND EAST NARRATIVE TRADATION PERSPECTIVE
http://dx.doi.org/10.16992/ASOS.14190
Mustafa SÖZEN
SİNEMASAL ANLATILARDA DRAMATİK İNŞA ve DRAMATURGİ̇, 22-45
DRAMATIC STRUCTURE AND DRAMATURGY IN CINEMATOGRAPHIC NARRATIONS
http://dx.doi.org/10.16992/ASOS.12938
Mustafa SÖZEN
ANLATIMSAL BİR ÖĞE OLARAK BELGESEL SİNEMADA SES TASARIMI: TANIMLAR, ÖRNEKLER, ÇÖZÜMLEMELEṘ, 20-46
SONIC DESIGN IN DOCUMENTARY CINEMATOGRAPHY AS A NARRATIVE ELEMENT: DEFINITIONS, SAMPLES, ANALYZES
http://dx.doi.org/10.16992/ASOS.12019
Mustafa SÖZEN
FİLMSEL SESİN DRAMATURGİSİ: KAVRAMLAR, ÖRNEKLER, ANALİZLEṘ, 44-72
DRAMATURGY OF FILM SOUND: CONCEPTS, SAMPLES, ANALYZES
http://dx.doi.org/10.16992/ASOS.11774
Mustafa SÖZEN
ANLATIMSAL BİR ÖĞE OLARAK SİNEMADA MÜZİK KULLANIMI YAPILANMALAR, İŞLEVLER, ANALİZLEṘ, 34-65
USAGE OF MUSIC AS A NARRATIVE TOOL IN CINEMA STRUCTURATIONS, FUNCTIONS, ANALYSES
http://dx.doi.org/10.16992/ASOS.844
Mustafa SÖZEN
GÜNÜMÜZ SİNEMASINDA DRAMATİK BİR OLGU OLARAK SESSİZLİĞİN KULLANIMI: KAVRAMLAR, ANALİZLEṘ, 40-68
THE USE of SILENCE AS A DRAMATIC CASE IN PRESENT-DAY CINEMATOGRAPHY
http://dx.doi.org/10.16992/ASOS.787
Mustafa SÖZEN
SİNEMASAL ANLATILARDA ÖZNEL SES TASARIMI VE ÖRNEK FİLMLEṘ, 1-20
SUBJECTIVE SOUND DESIGN IN CINEMATIC NARRATIVES AND FILM EXAMPLES
http://dx.doi.org/10.16992/ASOS.733
Mustafa SÖZEN
SİNEMASAL ANLATILARDA SESİN UZAMSAL VE ZAMANSAL KURULUMU VE ÖRNEK FİLMLEṘ, 16-39
SPATIAL AND TEMPORAL SETUP OF SOUND IN CINEMATOGRAPHIC NARRATIVES AND SAMPLE MOVIES
http://dx.doi.org/10.16992/ASOS.658
Mustafa SÖZEN