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HAFIZANIN SOMUTLAŞMASI: SONG DONG’UN WASTE NOT ESERİ̇, 56-74
THE EMBODIMENT OF MEMORY: “WASTE NOT” BY SONG DONG
http://dx.doi.org/10.29228/ASOS.76695
Gizem ÇELİK -Dilek TÜRKMENOĞLU
Abstract
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TARİHSEL GELİŞİMİ İÇERİSİNDE KANDINSKY VE MARC’IN SOYUT ANLAYIŞLARI ̇, 20-28
THE CONCEPTION ABSTRACT ART IN KANDINSKY AND MARC DURING THE HISTORICAL PROCESS.
http://dx.doi.org/10.29228/ASOS.54121
Dilek TÜRKMENOĞLU
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KÜLTÜREL BELLEK BAĞLAMINDA ERGİN İNAN VE HÜSAMETTİN KOÇAN'IN RESİMLERİNDE EL İMGESİ̇, 50-67
HAND IMAGINE IN THE PAINTINGS OF ERGIN INAN AND HÜSAMETTIN KOÇAN IN THE CONTEXT OF CULTURAL MEMORY
http://dx.doi.org/10.29228/ASOS.52820
Dilek TÜRKMENOĞLU
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ANSELM KIEFER`IN KAHRAMANLIK SEMBOLLERİ SERİSİ'NİN ROLAND BARTHES'İN MİT KAVRAMI ÜZERİNDEN GÖSTERGEBİLİMSEL ANALİZİ̇, 14-28
SEMIOTIC ANALYSIS OF ROLAND BARTHES 'MIT CONCEPT OF ANSELM KIEFER'S SERIES OF HERROIC SYMBOLS
http://dx.doi.org/10.16992/ASOS.12785
Dilek TÜRKMENOĞLU -- Gülru VARDAR
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WILLIAM KENTRIDGE'IN YAPITLARINDA ÖZ VE BİÇİM İLİŞKİSİ̇, 38-49
CONTENT AND FORM RELATIONSHIP OF WILLIAM KENTRIDGE'S ARTWORK
http://dx.doi.org/10.16992/ASOS.308
Dilek TÜRKMENOĞLU
Abstract
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