@article{2020,title={AVANT-GARDE AND EXPERIMENTAL PROCESSES IN VISUAL ARTS},abstractNode={Technological inventions and innovative art movements, which started with the Renaissance in the field of visual arts and continued until the twentieth century, were the main factors shaping modern art. In the 19th century of art, we can see new quests and pioneering attitudes based on the rejection of naturalism (naturalism), in which the image disintegrated, the ways of seeing began to change, the way of thinking based on ‘mimesis’ in art was destroyed. The art movements that emerged in the 20th century have made effective use of photography and technology in an effort to create a new visual language. The aim and scope of this study is to investigate the reflection of rational and experimental attitude to art and determine the effective power of modern art, experimental and pioneering art movement on today’s art. Moreover, the main points of artistic approaches and ways of thinking in art is investigated in the period ranging from analog systems to computer technologies, from digital technology to new media art. To research the traces of pioneering, innovative and experimental approaches in art in the context of the past, present, artists and works is also important in terms of determining how art has developed in the historical process and the clues about artistic approaches of the future. },author={Hülya PARLAKKALAY},year={2020},journal={The Journal of Academic Social Science}}