CERAMIC SCULPTURES REFLECTION OF THE ORGANIC FORMS OF NATURAL
DOĞANIN ORGANİK FORMLARININ YANSIDIĞI SERAMİK HEYKELLER

Author : Nevin AYDUSLU
Number of pages : 302-310

Abstract

Nature is a human relationship, a process that continues until the present day of the existence of mankind. With all its living and lifeless beings, nature possesses a power that constantly re-creates and changes itself. With this power, the civilization brought by mankind has become the driving force. Humanity has always benefited from nature in the long historical development process. As we observed nature and observed it, the mind developed. Even in the first formation of art works, nature observes and imitates nature. Nature is an object to science and philosophy as much as it is an object of art. In the 19th century, sharp and cold forms emerged as a result of industrial developments. Sensitivity to nature, resulting in this situation, has given way to organic forms. Bernard Leach's relocation of the meaning and value of the Far East ceramics to the West brought a wealth of technical and aesthetic aspects in this period. The inability of Picasso to function in the use of ceramics has led the art of ceramics to a different development. Today's ceramics art, which is mostly oriented to sculpture, is not indifferent to the organic forms of nature. Organic forms originating from human, plant and animal are usually reflected in ceramic sculptures, but organic forms, which are derived from nature, are also reflected in ceramic sculptures.

Keywords

Ceramic Sculpture, Organic Form, Art, Nature

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