@article{2016,title={ON SYNTHESIS ISSUES IN CAUCASIAN ALBANY ART},abstractNode={According to the author, the land of the Caucasian Albanian in the III-VII centuries has become quite large. The territory of the Albanian kingdom, the state's territory, stretched from the northern skirts of the Great Caucasus mountain range to the north, and to the lower junction of the Curses and Aras rivers, including the Mist and Mile, in the south. In the III-VII centuries of the Albanian state, Uti, Arsah, Paytakaran and so on. Cora, Qardaman, Kambichena, Shakashin and other provinces. Synthesis in the Arsenalian incarnation has evolved from the ancient tradition into a traditional form. Many areas of contemporary art have been linked with each other. The mutual relation between architecture and monumental art, namely the synthesis issue, is up to date. Synthesis has been one of the most important areas of the Albanian era. The mutual synthesis profession in Albanian art has always followed one another. Whether monumental decorative art, or painting, is subject to objects related to it. But the analysis of concrete sculpture or concrete examples of coloring shows that if every piece of decorative art, for example decorative panel, is placed in the room, it must be struck with various demands here: illumination of its place, This time, the board, the fresco, the artistic work, preserves and preserves the integrity of the essence. Also the fresco taken may lose its qualities, may be seen randomly in terms of painting and construction, but as a monumental work, it is a finished artistic work.},author={Aysel MEMMEDELİYEVA MAHİR KIZI},year={2016},journal={The Journal of Academic Social Science}}