While I was reading the book called "Eski Uygurca Edgü Ögli Tigin-Anyıg Ögli Tigin (İyi Niyetli Şehzade-Kötü Niyetli Şehzade) Burkancı Seyirlik Eser" which is a cooperative study of Mehmet Mahur Tulum and Kenan Azılı. Original text was written in 10.th-11.th century in Uighur Language. The book supported by images and has a fluent language to understand because of the methods used by authors. The book is about a cultural phenomena in effects of Buddhism which the traces can be seen after in Turkish Culture. The connection between the mystery of Mehmet Siyah Kalem’s miniatures and the story excited me because of my professions in Turkish and Islamic Art and history of art.
@article{2016,title={OLD UİGHUR “ EDGÜ ÖGLİ TİGİN ANYIG ÖGLİ TİGİN” ( OPTİMİSTİC PRİNCE - MALİCİOUS PRİNCE ) BURKANİST THEATRAL WORK},abstractNode={While I was reading the book called "Eski Uygurca Edgü Ögli Tigin-Anyıg Ögli Tigin (İyi Niyetli Şehzade-Kötü Niyetli Şehzade) Burkancı Seyirlik Eser" which is a cooperative study of Mehmet Mahur Tulum and Kenan Azılı. Original text was written in 10.th-11.th century in Uighur Language. The book supported by images and has a fluent language to understand because of the methods used by authors. The book is about a cultural phenomena in effects of Buddhism which the traces can be seen after in Turkish Culture. The connection between the mystery of Mehmet Siyah Kalem’s miniatures and the story excited me because of my professions in Turkish and Islamic Art and history of art.},author={Erol ALTINSAPAN},year={2016},journal={The Journal of Academic Social Science}}
Erol ALTINSAPAN . 2016 . OLD UİGHUR “ EDGÜ ÖGLİ TİGİN ANYIG ÖGLİ TİGİN” ( OPTİMİSTİC PRİNCE - MALİCİOUS PRİNCE ) BURKANİST THEATRAL WORK . The Journal of Academic Social Science.DOI:10.16992/ASOS.1023