@article{2015,title={SUBJECTIVE SOUND DESIGN IN CINEMATIC NARRATIVES AND FILM EXAMPLES},abstractNode={The construction of sound in cinema has to have an aesthetic integrity with the images, built through a vast web of relations. The phenomenon of sound as a form is both influential on the meaning of cinematic narratives, and it has a central role on the cognitive/emotional experiences of the viewer. The reason is that, fields of direct or indirect interaction created by images and sounds with different ontological characteristics impacts power relations on a phenomenological level. Dynamic and interactive experiences brought by the modes of expression created by audio-visual synergy become more and more important everyday in the cinematic language. Until the 1970s, discussions on sound in cinema were mostly made under the dominance of a visual-based paradigm.The importance of the dramaturgic role of sound in cinematic narrative begant o be discussed in the academic circles in the recent years. This article discusses the},author={Mustafa SÖZEN},year={2015},journal={The Journal of Academic Social Science}}