@article{2018,title={MYTHOLOGY AND MYTHOLOGICAL RULES IN THE CINEMA: LAMBINENT FILM OF PAN},abstractNode={The tale that tells children about life, struggles, and stories of a human being or a society that has been transmitted orally to the generations before the fantastic stories has been transferred to the writings for years and then to the white screen afterwards. Thus, the myths, symbols and stories that are revealed from everyday life are adapted to the cinema in a more colorful way. With the development of technology in the 20th century and the cinema entering the process of industrialization, many fantastic fantasy films have succeeded to exist by renewing and transforming themselves in themselves. Tables that form the basis of the classical narrative form have entered into intertextual interaction in the postmodern period. The cinema which started to produce new texts and new meanings within itself, while conveying new pleasure and new mythological stories to the viewer in this direction, on the other hand, the audience continues to present the past. From the outset of the cinema, he continued to construct imaginative and fantastic narrative structures from the way that Melies went as far as the production of storytelling reflecting the kind of documentary genre and external reality. In our work, we study the mythical narrative and mythological figures in the cinema and in this context we take the example of 'Pan's Labyrinth' as an example.},author={Ufuk UĞUR-- Sezen ALTAY},year={2018},journal={The Journal of Academic Social Science}}