The desire to bring a visual and aesthetic structure together by bringing together the visual objects that are the subject of photography is the common interest of every artist. Image or impression we have gained from a photograph of a cross-section from nature as well as being a visual proof of that moment, which creates emotion, feeling, photographs and messages; cultural, artistic, aesthetic, and meaningful to the viewer. The images that reflect the photographic transmission often carry the meaning of plain meaning because they maintain their connection with objective reality. But when aesthetics and originality of these artists, the techniques and the fiction is coded with a unique sense and feel and rectification. The photo, which is constructed with new passwords, has some meanings ready to be interpreted. objeksiyo in the artist's aesthetic sensitivity image as feed as well as it moves the layer of meaning waiting to be understood in the context of semiotics and semantics. Photo artist universality through the door and subjective effects objektivasyonal works created by artists of the objects on display range or the environment that are subject to disclosure should lead the search effort. The artist is trapped in stereotyped image patterns unless they can cross their boundaries. In other words, the artist does not go beyond the stereotype of art unless he creates an original form of language.
, Projection, Semantic, Uniqueness, Universal