@article{2017,title={CONCEPTUAL FRAMEWORK IN CONTEMPORARY IRANIAN ART},abstractNode={Today's art put forwards an approach that leaves the previous boundaries behind it and touches the viewer primarily through a concept. In this sense, any way that follows this path for the artist is permissible. The artist, who has chosen the most appropriate tool he wants with the wide range of possibilities offered by modern technology and materials, is now free from squeezing between two dimensions. When we look at Iranian contemporary art, it is observed that in recent years, many young artists have used their multimedia possibilities to express their thoughts with their own presentation style. These artists can be considered under three groups according to their viewpoints: Sadegh Tirafkan with a religious-ideological point of view, Bita Fayyazi with a universal point of view, Ahmed Nadaliyan with a social and critical point of view, exhibits a very unique stance in terms of features both contemporary and traditional art .},author={Cemile Didem ÖZIŞIK-- Hajar BABAZADEH},year={2017},journal={The Journal of Academic Social Science}}