THE USE of SILENCE AS A DRAMATIC CASE IN PRESENT-DAY CINEMATOGRAPHY GÜNÜMÜZ SİNEMASINDA DRAMATİK BİR OLGU OLARAK SESSİZLİĞİN KULLANIMI: KAVRAMLAR, ANALİZLER
It is a known fact that even in an ordinary movie an image solely cannot convey the information sufficienly.. That is the reason why, the directors have to pay the same attention to audio editing too as they have to pay to image editing. In cinematographic narrations, the sound designs began gradually to be created by new sense (meaning)-oriented modilations. As a natural consequence of it, the cinematographic experiences of audience grew richer and became differentiated. Hence, not only for the directors but also simultaneously for the audience, it became necessary to be aware of how silence design as a dramatic component is used in expressive qualities and how sound-silence tension is built up well in advance. One of the most obvious dramatic effects of present-day cinematography is the presentations of silence. Because, the moments of sound and silence, interactively can be used as a powerful tools in creation of senses (meaning) between opposite balances or contrasts. With almost
@article{2015,title={THE USE of SILENCE AS A DRAMATIC CASE IN PRESENT-DAY CINEMATOGRAPHY},abstractNode={It is a known fact that even in an ordinary movie an image solely cannot convey the information sufficienly.. That is the reason why, the directors have to pay the same attention to audio editing too as they have to pay to image editing. In cinematographic narrations, the sound designs began gradually to be created by new sense (meaning)-oriented modilations. As a natural consequence of it, the cinematographic experiences of audience grew richer and became differentiated. Hence, not only for the directors but also simultaneously for the audience, it became necessary to be aware of how silence design as a dramatic component is used in expressive qualities and how sound-silence tension is built up well in advance. One of the most obvious dramatic effects of present-day cinematography is the presentations of silence. Because, the moments of sound and silence, interactively can be used as a powerful tools in creation of senses (meaning) between opposite balances or contrasts. With almost},author={Mustafa SÖZEN},year={2015},journal={The Journal of Academic Social Science}}
Mustafa SÖZEN . 2015 . THE USE of SILENCE AS A DRAMATIC CASE IN PRESENT-DAY CINEMATOGRAPHY . The Journal of Academic Social Science.DOI:10.16992/ASOS.787
Mustafa SÖZEN.(2015).THE USE of SILENCE AS A DRAMATIC CASE IN PRESENT-DAY CINEMATOGRAPHY.The Journal of Academic Social Science
Mustafa SÖZEN,"THE USE of SILENCE AS A DRAMATIC CASE IN PRESENT-DAY CINEMATOGRAPHY" , The Journal of Academic Social Science (2015)
Mustafa SÖZEN . 2015 . THE USE of SILENCE AS A DRAMATIC CASE IN PRESENT-DAY CINEMATOGRAPHY . The Journal of Academic Social Science . 2015. DOI:10.16992/ASOS.787
Mustafa SÖZEN .THE USE of SILENCE AS A DRAMATIC CASE IN PRESENT-DAY CINEMATOGRAPHY. The Journal of Academic Social Science (2015)
Mustafa SÖZEN .THE USE of SILENCE AS A DRAMATIC CASE IN PRESENT-DAY CINEMATOGRAPHY. The Journal of Academic Social Science (2015)
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Mustafa SÖZEN. (2015) .THE USE of SILENCE AS A DRAMATIC CASE IN PRESENT-DAY CINEMATOGRAPHY The Journal of Academic Social Science
Mustafa SÖZEN . THE USE of SILENCE AS A DRAMATIC CASE IN PRESENT-DAY CINEMATOGRAPHY . The Journal of Academic Social Science . 2015 doi:10.16992/ASOS.787
Mustafa SÖZEN."THE USE of SILENCE AS A DRAMATIC CASE IN PRESENT-DAY CINEMATOGRAPHY",The Journal of Academic Social Science(2015)